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1. LIST OF ONE PIECE SEASON 17 PRO
2. LIST OF ONE PIECE SEASON 17 SOFTWARE
3. LIST OF ONE PIECE SEASON 17 PLUS

The fact that it has a 3 year warranty was a plus point when buying it considering Behringer's past reputation for quality and poor support. (I may report what happens in a later post) So it will be a call the Thomann tomorrow to test how good their support is. It's not a major problem for me at the moment as we can use the outputs 9 to 16, but for more complicated sets ups this is going to be a problem). I loved using the mixer when it was working, unfortunately, my board has developed a fault after approx 21 shows, (Outputs 1 to 8 are not outputting any sound). The DCA#s are great for controlling groups of faders and if set up correctly can minimise the need to keep changing to other layers. If you own the "Waves plug ins" there is also a way to use them through the board using a DAW. I've found the X32 FX's to be varied and well thought out and the re-verbs on vocals are really nice. The Midas pre amps have a nice analogue sound to them when compared with the Presonus 24.4.2 which can sometimes sound "hard" and "crisp".

LIST OF ONE PIECE SEASON 17 SOFTWARE

I hadn't experienced the lag on the same external hard drive (Toshiba PA4144E-1HB5) with the Presonus 24.4.2 using their software "Capture", So it may well be I'll have to wait till the hard drives using "Thunderbolt" become cheaper. There is also the facility to play back wav files via a USB stick but I would like to see that further expanded to allow playlist to be set up to auto play or play a playlist rather than one track at a time. However, you can get an instant 2 channels mix using the inbuilt recorder. I changed to 24 tracks but still got the error.

LIST OF ONE PIECE SEASON 17 PRO

I tried to use the X32 for a multi track recording of our latest show, but the software (Studio One 2 Pro on a Mac Book Pro) stated that the external hard drive I was recording too was not fast enough to record all 32 tracks. We currently feed that into the Presonus which is used alongside the X32. I had considered buying another X32 to provide us with 64 channels for the large shows we do with Orchestras. We mainly use the X32 at different venues for musical theatre so the extra channels (32) were a plus over the Presonus 24.4.2 (24) which we previously used and still own. So it was bought together with the S16 and the flightcase (Also reviewed). The fact that Midas had also helped in the design of the pre amps and the manufacturing process was another plus. and price, and the fact that it could run on Cat 5 to a stage box. I was impressed with this board for its spec. Soundcraft, Yamaha, A&H every day of the week. However, as other consoles have come down to this price point (or close enough) in recent years, I would always recommend going with them. Once you get used to the way it runs, it's fine. I've picked at the things I don't like about this desk - but it works. But channel management, and managing mixes is just - and I hate to say it again - but it's cumbersome. It's a digital console and does everything you probably imagine. Not being able to assign the input maxrix per channel and instead having to assign the stack (1-8, 9-16 etc) is a major downside. The way the x32 comunicates with the proprietry stage boxes (tested with the s32) again is just short of its competitors. There are others out there that do the job, but the lack of proprietry app again add's unnecessary troubleshooting. The iOS app has been discontinued and is no longer maintained - such a shame for a desk that isn't even that old, very disappointing. The x32 probably has all the features you need, however the way in which you'll execute them is usually always more cumbersome than it's competitors. However, there are far more intuitive products out there. I purchased this desk after hearing so many great things, and don't get me wrong it's a good desk.